Moving Meanderis, 2014

This project, situated in Leiria, Portugal, comprises an intricate array of photographs, drawings, and cartographic representations that delve into the multifaceted dimensions of urban landscapes. The project interrogates the city as a spatial construct and the epitome of human ingenuity, resourcefulness, and imagination. It posits the city as the most expansive artificial entity ever conceived and constructed by humankind, a monumental testament to our capacity for organization and creativity. Yet, this ingenuity is juxtaposed against the city's role as an apparatus for taming and suppressing natural elements.

In its grandeur and complexity, the city serves as both a monument to human achievement and a mechanism for environmental control. It is a space where the natural world is incorporated and subjugated, where trees become curated objects, and rivers are channeled into regulated flows. This duality raises critical questions about urban design's ethical and ecological implications, particularly in an era marked by escalating environmental challenges. The project, therefore, serves as an intellectual inquiry into the paradoxical relationship between the constructed urban environment and the natural world it seeks to contain.

Through artistic renderings and analytical mapping, the project aims to unpack the layered complexities that define urban spaces. It seeks to explore how cities, as products and producers of culture, negotiate the delicate balance between human aspiration and environmental sustainability. In doing so, it invites viewers and scholars alike to reconsider the city as a physical space and a dynamic, ever-evolving entity that embodies the tensions between human civilization and the natural world.