Kaena Point Meander, 2019

An extended walk from the North side of Oahu to the West side.

The notion of “walking” as an artistic and experiential practice is imbued with a complex tapestry of forms and meanings, serving as a confluence of personal histories, intricate webs of relationships, entanglements, and various configurations. Far from being a mere pedestrian activity, walking functions as a potent act of claiming space, a subversive methodology for excavating one's own nuanced sense of place. This sense of place is not isolated but is deeply interwoven with a plethora of historical events, untold narratives, and enigmatic phenomena. This practice allows for the mining of subjective experiences and memories, effectively serving as a vehicle for individual and collective meaning-making. The walk becomes a dynamic site for negotiating identity, as it is situated within a complex matrix of historical, social, and cultural vectors.

Moreover, the act of walking serves as a form of silent resistance, a subversive act that challenges conventional notions of space, ownership, and power dynamics. It allows for the exploration and even reclamation of spaces laden with historical significance, untold stories, or social taboos. Through this act, one can unearth layers of hidden or suppressed narratives, thereby contributing to a more nuanced understanding of place and identity.

In essence, when examined through a multidisciplinary lens, the concept of the walk reveals itself to be a rich and complex practice that engages with a wide array of academic inquiries, from cultural studies to history and geography. It serves as a fertile ground for investigation, offering myriad avenues for understanding the intricate relationships between individuals, communities, and the spaces they inhabit.